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Gallery of the Dzyga art centre

in Lviv

24 - 30 September 2024

The exhibition ‘Ukrainian Theatre Costume of the XX-XXI Centuries: Identity, Context, Landscape’ presents the works of Ukrainian artists who worked on the creation of theatre costumes at different times.

These are well-known artists of the twentieth century who made a great contribution to the development of Ukrainian art, in particular: Vadym Meller and Anatol Petrytskyi, who were among the brightest Ukrainian avant-garde artists in the early twentieth century. The exhibition features rare photos of their costumes from that era. Two powerful Lviv artists Myron Kyprian and Yevhen Lysyk, without whom it is difficult to imagine the development of Ukrainian theatre in the twentieth century, are represented not only by a selection of photographs but also by original sketches.

In addition, the exhibition featured the original of the legendary Astronaut's costume for the play Faust and Death by Myron Kyprian. The exhibition also featured original costume designs by the sixties artist Alla Horska for the censored performance How the Goose Died, on which she once worked with director Les Taniuk.

The exhibition also featured works by professional contemporary artists who actively collaborate with various national and municipal theatres in Ukraine, as well as implement independent art projects. These are scenic and costume designers who are very different in their worldview and artistic language, each of whom is undoubtedly involved in the process of shaping the face of contemporary Ukrainian theatre: Anna Ipatieva, Daniila Kolot, Yulia Zaulichna, Olena Polishchuk, and Lyudmila Nagorna.

 

Photos from contemporary theatre productions, original sketches and costumes realised in material from performances of different years and theatres of Ukraine are also on display. The curator of the project , Bohdan Polishchuk, also presented his creative works and the central installation ‘Red, White, Changeable’.

This exposition allows you to see different manifestations and stages of development of theatrical costume in Ukraine over the past hundred years of our history, as well as to feel the trends and current topics of contemporary art.

The exhibition is part of an international project implemented by the NGO Scenography Gallery (Ukraine) in partnership with the Museum of Theatre, Music and Cinema of Ukraine, the Territorial Marketing Fund ‘PLACE ID’ (Poland), with the support of the Ukrainian Cultural Foundation.

Project curators: Bohdan Polishchuk, Tetiana Rudenko, Barbara Zharinov.

Project manager: Oleh Oneshchak.

Exhibits

Installation by Bohdan Polishchuk "RED. WHITE. CHANGING"

 

One of the objects of the exhibition is the installation by Bohdan Polishchuk "RED.

which is located in a separate hall on the first floor of the Museum of Theatre, Music and Cinema of Ukraine

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Bohdan Polishchuk:

"Today, almost every one of us is in a state that, in my opinion, can be most accurately described as a state of flux. Constant changes not only in external circumstances, but also in internal states and experiences have been enveloping us around the clock during these tumultuous and dramatic years of war. Determining the status of the person you meet and even your own status has become a constant subconscious process.

Civilian or military?

Each of these statuses today triggers a whole chain of thoughts, reactions, emotions and pushes towards a certain model of social behaviour. The same person, the same actions in different statuses cause different reactions.

But how do we identify a person's status today? In most situations, when we have a quick contact with a person, their costume becomes a marker for us. More specifically, a military uniform. It's a shaky and volatile territory. After all, a person in civilian clothes may well be a military officer or have veteran status and experience as a combatant.

However, what is even more bizarre is that today it is difficult to be sure of one's status in the long-term time projection of life. Being a civilian and being aware of being a civilian, one can receive a mobilisation call at any time or decide to volunteer for the Armed Forces. Today, every civilian has the potential to be a soldier.

To perceive this as an opportunity, as a sacrifice, as a natural course of events is the same field of possible probabilities as the reality we all live in.

Objects, textures, colours, compositional solutions can give rise to different, sometimes contrasting associations and feelings depending on the change of context or even one component - the clothes on the person we see in front of us or who we are."

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videographer Anton Vanchak

 

 

 

 

 

on video Alexander Manshilin

Світлини з відкриття виставки

Фотографка Христина Король

Media about the exhibition

  • Zbruch: Ukrainian theatre costume through the centuries. A review by theatre scholar Olena Spas

  • Radio Pershne, Lviv: an interview with Bohdan and Olenka Polishchuk in the programme ‘Another View’ with Olha Telipska

  • Lb. ua: On 24 September, the exhibition ‘Ukrainian Theatre Costume of the XX-XXI Centuries: Identity, Context, Landscape’ opens in Lviv's Dzyga Art Centre.

  • theatre.explosion: opening of the exhibition ‘Ukrainian theatre costume of the twentieth and twenty-first centuries: Identity, context, landscape’

  • Espresso. Zahid: An exhibition of Ukrainian theatre costumes of the XX and XXI centuries was presented in Lviv. Photo.

  • photo-lviv.in.ua: an exhibition ‘Ukrainian theatre costume of the XX-XXI centuries’ opened in Lviv.

Video

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